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Country: USA

Year: 2020

writed by: Brad Ingelsby, Gavin O'Connor

brief: A former HS basketball phenom, struggling with alcoholism, is offered a coaching job at his alma mater. As the team starts to win, he may have a reason to confront his old demons. But will it be enough to set him on the road to redemption?

actor: Michaela Watkins, Ben Affleck

Free movie the way back. Free fire way back home. Respect ✊ & Love ❤️. This is not the way back Ben. As the nation’s movie theaters continue to shutter due to the coronavirus pandemic, Warner Bros. has given Ben Affleck ’s drama “ The Way Back ” an early video on demand release on March 24. The studio announced the move late Thursday afternoon with a $19. 99 price. “ The Way Back ” is the seventh title that was in current release to receive an early release date. Prior to the crisis, most theatrical releases were not available in the home until roughly 90 days after they premiered in multiplexes. Lionsgate, Sony, Universal, STX Films and Warner Bros. have all announced plans for releasing films early on VOD, including “I Still Believe, ” “Bloodshot, ” “Birds of Prey, ” “The Hunt, ” “The Invisible Man” and “Emma. ” “The Way Back” has generated moderate results at the box office, with $13. 7 million in its first two weeks. Affleck portrays an alcoholic construction worker who redeems himself by becoming the coach of a high school basketball team. The film, which has a $40 million budget, received a B+ Cinemascore on its opening day and generated positive critical response with an 83% “fresh” rating on Rotten Tomatoes. “The Way Back, ” directed by Gavin O’Connor, also stars Al Madrigal, Janina Gavankar and Michaela Watkins. “With audiences largely unable to view films in theatrical release under current circumstances, we have decided to provide the alternative of early digital ownership of our currently released titles to people looking for great entertainment options, ” said Toby Emmerich, chairman of Warner Bros. Pictures Group, in a statement. “So, while we remain big fans of the theatrical experience and hope audiences are able to return to cinemas in the near future, we understand that these are challenging times and offering this option simply makes sense. ” Los Angeles landmark Magic Castle has laid off almost all of its staff, as the spread of coronavirus affects businesses nationwide, Variety has learned. The members-only club pink slipped 189 employees on Saturday, insiders said, and will operate on a skeletal staff of nine to maintain the historic Hollywood clubhouse, which sits just behind the [... ] It could be lights out for the movie theater business if Congress doesn’t pass the trillion-dollar coronavirus rescue bill. That’s the stark message from John Fithian, president and CEO of the National Association of Theatre Owners (NATO). “The situation is that dire, ” Fithian told Variety, taking a break from working the phones in Washington D. C., [... ] SAG-AFTRA President Gabrielle Carteris has issued a video detailing the union’s response to the coronavirus pandemic. “Make no mistake: We are in this together, ” she said. “I want you to know that we, SAG-AFTRA, are responding to this and taking action in real time, and I mean that’s morning and night and into the wee [... ] Every time a new mental-health therapy arrives, it’s propelled by the ideology — and the testimonials — of a religion. Sigmund Freud’s descriptions of psychoanalysis all point to the miracle-cure mythology of the moment when a patient, at long last, touches the nerve of his or her suppressed trauma and is liberated from it. In [... ] An elementary school classroom may seem an odd place to launch a romantic comedy that soon finds its protagonists coupling with abandon in a slew of quasi-public spaces. But in the rom-com “Hooking Up” — available digitally and on demand — that’s precisely where magazine writer Darla emerges from, having had an afterschool special with [... ] With thousands of theaters shut down across the country due to the coronavirus pandemic, filmmaker Christopher Nolan urges people to show their support when they reopen. In an essay for The Washington Post, Nolan calls movie theaters a “vital part of social life” that not only provides entertainment for everyone, but also jobs for many [... ] France’s culture minister has passed a decree allowing the National Film Board (CNC) to tweak the country’s notoriously strict window release policy as the industry struggles to cope with the coronavirus pandemic and lockdown. Under the exceptional measures, films that came out last week and were in theaters as of March 14 — when cinemas [... ].

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| Sheila O'Malley March 6, 2020 Everyone has a soft spot for a certain movie genre, be it zombies, teen romances, kooky ensembles. A fellow critic and I talked about this once, and he said "Any story about fathers and sons gets to me. " For me, it's the underdog-sports genre. Give me " The Bad News Bears. " Give me "The Rookie. " Give me "Slap Shot. " Give me " Hoosiers. " And so even though something like " The Way Back " was "made for me, " I tried to stay strict with myself in my assessment. What works, what doesn't? Yet I couldn't help but notice the goosebumps covering my arms when the music swelled. This is what movies can do, at their best, draw you out of yourself in spite of yourself. "The Way Back, " directed by Gavin O'Connor, is that kind of movie. Advertisement This is a sweet spot for O'Connor as a director. In " Miracle " he took a well-known story and made it urgent and thrilling. He focused his attention on a compelling central character, Herb Brooks (played brilliantly by Kurt Russell), and this galvanizes the action. O'Connor brought this power to bear in " Warrior " too, focusing his attention on the relationship between the absent father ( Nick Nolte) and his two adult sons. O'Connor is gifted at action too, thrusting us into the middle of the fights in "Warrior, " tossing us onto the ice in "Miracle. " Even if you're not a sports fan, you can follow the action. "The Way Back" is about a ragtag basketball team at a Catholic high school, and a damaged alcoholic coach ( Ben Affleck) who finds a way to force them into being winners, into being better people, even. Jack Cunningham (Affleck) is a mess. He works construction and spends his nights at a dive bar, where he is a regular. You can feel his thirst the second he gets into his truck after his shifts. When he takes a sip of beer, his eyes close briefly. He needs this. At family gatherings, you can see his sister's disapproval of him, suggesting a long history. But he's in the round of alcoholism: drinks, collapses, hangovers, do it all over again. Once upon a time, Jack was the star basketball player at his high school. But something fell apart for him. When he is offered a coaching gig at his old school, he promptly gets wasted. He can't go back. But he does. And it changes everything for him, and for the students. A film like this depends on its central character. Just as O'Connor did in "Miracle" and "Warrior, " he keeps his eye very closely on Jack. With a script by O'Connor and Brad Ingelsby, the atmosphere is crucial. The lens flares explode across the screen dramatically (the cinematographer is Eduard Grau), creating a vibe of both nostalgia for better days, but also the squinting headache of a constant hangover. Jack strolls into his old high school, and whips the students into shape, immediately recognizing that one of them, Brandon, ( Brandon Wilson) is talented. He attempts to put a fire under the kid, forcing him to own his power. At some point, Jack stops drinking. The basketball games are filmed with a thrilling sense of reality: the fans seem real, the refs seem real, the kids on the other team seem real. O'Connor and editor David Rosenbloom have made a couple of really smart editing choices: you see Jack coaching the kids at practice, and as he details the plays, there's a cut to later in the game, showing the kids executing these same moves. The games feel like real games. I must mention here Rob Simonsen's score, and how well it's integrated. Some scenes go by without music at all, so when the music comes in, it's a cue that something is about to happen. It's a very big score. The film isn't filled with needle-drops of hit songs. (Similarly, Mark Isham's score in "Miracle" is such a huge contribution it's hard to imagine the film without it. ) O'Connor does not shy away from the emotion of his films. Instead, he embraces it. "The Way Back" is, essentially, a redemption arc. Jack is weighed down with disappointment. Affleck is in a very personal zone here. When he gets angry, there's something still bottled up in his beet-red face. There's no catharsis in his rage; it remains poison in his veins. There's also a thrumming sense of self-pity in him, so accurate if you've ever known any addicts. Affleck does not shy away from the character's unpleasantness. He's right in it, with the man's flaws and failures. The script is well-structured. Information is withheld from us until far into the action. There are some missed opportunities along the way. Jack's such a heavy drinker that quitting cold turkey should have a marked impact on him. It doesn't. When he goes off the wagon, you don't sense how much he has been white-knuckling his abstinence. The tragedy in his past is a bit over-determined as well, but one thing that does work - and doesn't often in movies like this - is his ex-wife ( Janina Gavankar) gets to be complicated too. When I was a senior in high school, the girls' basketball team went on a winning streak. The surrounding community noticed something exciting was happening, and more and more people showed up to the games, people who weren't even in high school. The team went to the playoffs, and our town was whipped into a frenzy. O'Connor captures this feeling. The extras he cast for the basketball games understand this feeling. In Stephen King's novel Under the Dome, there's a section about a girls' basketball team: ".. game had some divine texture beyond the reach of ordinary players (although sometimes even ordinary players felt it, and were transformed for a brief while into gods and goddesses, every bodily defect seeming to disappear during their transitory divinity), a texture that on special nights could be touched: some rich and marvelous drape such as much adorn the hardwood halls of Valhalla. " If you think that's melodramatic or corny, you don't understand high school basketball. O'Connor does. Reveal Comments comments powered by.

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